Entertainment
How PlaqueBoyMax Made A Signature Setup
New Jersey native PlaqueBoyMax, born Maxwell Dent, has seen his meteoric rise to fame for streaming and music since 2022. Alongside this growing fame, Max has upgraded his recording setup from the most basic and budget of microphones and interfaces, to studio sessions in some of the most famous recording studios in the world, alongside producers like frequent collaborator Fred Again (often stylized Fred again..). Max’s setup is a case study in going from DIY bedroom workflow to a fully‑routed hybrid studio and streaming rig, without losing the speed that made his early clips feel so off‑the‑cuff. What makes his current setup interesting isn’t just the price tag, but how it’s designed so he can record vocals, talk to chat and cut songs live, all on the same grid.
In those earlier tutorials, Max is almost apologetic about how barebones his rig is: a Scarlett 2i2 on the desk, an SM58 or AT2020 on a stand, Audio‑Technica headphones into a cheap splitter so a friend can listen in, and everything running through FL Studio. The workflow is simple: drag a YouTube beat into FL, find the key and tempo with a site like Tunebat or similar analyzers, then build a vocal chain from the DAW’s built‑in EQ, delay, reverb and limiter. For pitch correction, he points viewers toward Antares Auto‑Tune and budget alternatives like Slate Digital’s Metatune, turning that basic chain into something closer to a modern rap preset. It is the definition of an accessible starter kit: one interface, one mic, one DAW, and a handful of plugins that come standard or are easy to pirate if you’re a teenager on a laptop.
The PlaqueBoyMAX vocal sound that people now try to reverse‑engineer is a more polished version of that chain, with third‑party plugins doing the heavy lifting. Community presets and breakdown videos point to him leaning on EQ stages like Waves VEQ3 or VEQ4 for tone‑shaping, plus an exciter or enhancer such as Waves Vitamin to pull his voice forward without just cranking the top end. From there it is the classic modern stack: Auto‑Tune for continuous pitch, compression to level out the performance, then short room reverb and slapback delays that keep things intimate even when the beat is wide. It is still built in FL Studio, but instead of only stock plugins, he layers color EQs and enhancers similar to the way his collaborator Fred again.. stacks analog‑style tools in Ableton and on outboard gear.
Hardware‑wise, the jump from the SM58 and AT2020 to a Neumann U87‑class mic instantly changes how that chain behaves. Condenser mics at that level pick up more top‑end detail and room tone, which means his EQ and de‑essing can be subtler while still landing that bright, hyper‑present vocal that cuts on TikTok and Twitch VODs. Max uses a dedicated USB mic like the Elgato Wave 3 for streaming, keeping his recording chain and his broadcast chain separate. The Wave series is designed for creators: plug‑and‑play on Mac or PC, built‑in clip protection and a software mixer that can route game audio, DAW output and mic to different virtual faders.
If you look at the streamed studio sessions with Fred again.., you can see how this philosophy scales up. Those sessions often run on a two‑computer workflow: one machine dedicated to the DAW and recording, the other capturing the screen, camera feeds and audio mix for Twitch, bridged by virtual channels and an interface capable of multiple cue mixes. A Stream Deck or similar controller sits on the desk to instantly mute talkback mics, switch scenes or drop markers, so a private conversation can happen while the beat still plays for viewers. Cameras range from a proper mirrorless body on an HDMI capture card in the control room to a simple webcam in the booth.
What ties all of this together is that Max’s setup is optimized for what his audience expects him to do on any given night: write hooks in real time, bounce between Discord, Twitch chat and FL Studio, and turn the best ideas into actual releases. The bedroom rig made that possible on a budget, but the current high-end configuration lets him keep the same spontaneous energy at a far higher technical ceiling. No matter what the setting, PlaqueBoyMax has excelled at giving people chances to watch the music being made as it happens.
Snapchat rolled out the yellow carpet for their inaugural award show, the Snappys? The event was hosted at the company’s headquarters in Santa Monica, California. For the Snappys, the Snapchat building was converted into a theatre and event space, hosting top content creators invited to the event and nominated for awards. The Snappys were streamed live last night on the Snapchat app. So who took home awards and what bumps in the road happened at the event?
Matt Friend, a comedian known for his impressions, hosted the awards show. Friend has performed at previous Snapchat events and has an active following on the platform. In his monologue, Friend made jokes poking fun at the recent abundance of award shows in his monologue (TikTok had their first award show in December) and at content recycled between social media platforms.
Kehlani was scheduled to perform but did not attend, cancelling for personal reasons. Some top influencers did attend the event including nominees like David Dobrik, Dixie D’Amelio, JoJo Siwa and Harry Jowsey, but turnout was lower than expected. Roughly half of all Snappy winners did not even attend the event. Lifetime Achievement winner DJ Khaled accepted his achievement award virtually, also announcing Kehlani’s scrapped performance. Additionally, some social media users reported issues trying to watch the show live on the app.
Despite the setbacks, the award show was still a relative success, with Dobrik, Kylie Jenner and former NBA player Dwight Howard winning awards. Dobrik dedicated his win to Snapchat Head of Content Partnerships Jim Shepherd. Shepherd was quoted in Snapchat’s press release for the award show toting the platform’s commitment to creators. During the event, it was announced that paid creator subscriptions would be available to all Snap users. Winners took home a golden statue of the company’s ghost logo à la the Oscars.
2026 Snappys Winners
Best Use of Creative Tools – Zaina Sesay
Best Storyteller – Rachel Levin
Spotlight MVP – AdamW
Top Lens Creator – Mohamad el Asmar
Community Builder – Cheyenne Davis
One To Watch – Ella Moncrief
Off-Platform Buzz – Nic Vans
Comeback Star- Kylie Jenner
Breakout Creator – Ashton Hall
Lifetime Achievement – DJ Khaled
Creator of the Year – David Dobrik
Top Beauty Creator – Leilani Green
Top Lifestyle Creator – Ari Fletcher
Top Athlete Creator – Dwight Howard
Top Music Creator – Leon Thomas
Top Food Creator – Jack Mancuso
Top Fashion Creator – Ashley Graham
Top Comedy Creator – LaLa Milan
Top On-Camera Correspondent – Lauren Ashley Beck
Top Gamer Creator – Dimucc
Top Family Creator – Justus and Kayla Tucker
Top Fitness Creator – Katie Austin
Google, owner of YouTube, and Meta, owner of Facebook, Instagram and WhatsApp, had been found liable in a notable case on childhood social media addiction. A jury in Los Angeles, California found that the two tech companies had deliberately built addictive social media applications that harmed the mental health of the 20-year-old plaintiff, according to BBC News. Both Meta and Google said they disagree with the court’s verdict and would be appealing the decision, releasing separate statements to news organizations about the case. The plaintiff in the case, known as “Kaley” or “KGM”, was awarded $6 million in damages, $3 million each in compensatory and punitive damages, with Meta expected to pay 70% of damages and Google the leftover 30% owed. The ruling could have major implications in many similar social media cases currently being tried across the United States.
Although Google was a defendant in the case through its platform YouTube, the case focused primarily on Meta, specifically because of Instagram. Notably, Meta chairman and CEO Mark Zuckerberg testified before the court in February in his first appearance in front of a jury. Snap and TikTok settled with the plaintiff for undisclosed amounts before the case went to trial. The lawsuit for “Kailey” is the first in a region-wide consolidated case (where a court merges multiple lawsuits) of roughly 2,500 against the four tech and social media giants, Meta, Google, Snap and TikTok. In an unrelated but notable case, Elon Musk’s XAI, parent company of X (formerly Twitter) is currently being sued by the city of Baltimore, Maryland over allegations of sexually explicit images generated by its AI agent Grok.
The plaintiff said that she started using Instagram at nine years old and was using YouTube at age six, without being blocked from using either platform. She went on to claim that she stopped interacting with her family and began having symptoms of anxiety and depression at age 10. She was reportedly diagnosed with both conditions later by a therapist. According to the Associated Press, Meta argued that the mental health struggles faced by Kaley were unrelated to her social media use. Lawyers for YouTube argued that their platform was more like television than a social media platform, also pointing to company data they said showed that Kaley’s usage of the platform had declined over time. Both companies emphasized the safety features of their platforms, echoing similar statements from Zuckerberg during his February testimony.
The Los Angeles case comes just a day after a jury in New Mexico ordered Meta to pay $375 million. The company was found liable for misleading users about the safety of its platforms Facebook, Instagram and WhatsApp. Another California court case involving social media platforms and alleged harm to minors is also scheduled to start this month. The UK, Australia and Indonesia are also restricting access to social media for children. Indonesia will ban social media for children under 16 starting March 28, with a similar law for people under 16 in Australia already in place. In the UK, a pilot program testing social media time limits, digital curfews and bans is currently underway. Slovenia, Spain, France, Germany and Denmark are also moving to ban social media for minors. Today’s ruling is likely to influence other court cases around the country as governments around the world are considering limiting social media access for children.
On March 31, Snapchat will host the inaugural Snappy Awards at its Santa Monica headquarters, becoming the latest major platform to build its own awards show from scratch, complete with nominees, categories, a celebrity host, and a lifetime achievement honoree, DJ Khaled. The show, which will span 21 categories recognizing creators across entertainment, comedy, music, sports, beauty, fashion, and gaming, represents Snapchat’s most visible effort yet to position itself as a serious player in the creator economy.
Comedian and Snapchat creator Matt Friend will host, and the nominee list reads like a who’s who of the platform’s most active faces: David Dobrik, Khloe Kardashian, JoJo Siwa, Catherine Paiz, and Landon McBroom are all up for Creator of the Year. In the music category, Alex Warren, fresh off a 10-week run atop the Billboard Hot 100 with “Ordinary,” competes alongside two-time Grammy winner Leon Thomas, rapper JT, singer ENISA, and Shenseea. Other categories feature nominees like media executive David Bullock (known by his nickname “Alaska”), Kylie Jenner and NFL wide receiver Tyreek Hill.
The categories themselves tell a story about what Snapchat values, or at least what it wants to be known for valuing. Alongside traditional honors like Best Storyteller and Breakout Creator of the Year, the Snappys include craft-focused awards like Best Use of Creative Tools and Top Lens Creator, platform-specific metrics like Spotlight MVP, and a category called Off-Platform Buzz, which essentially rewards creators for making Snapchat content that people talk about elsewhere. Vertical-specific awards cover food, gaming, fashion, beauty, sports, and athletics. It is a wide net, cast deliberately.
Jim Shepherd, Snapchat’s head of content partnerships, framed the event as recognition of the creator community’s growing influence. “The Snappys Awards Show is a reflection of how powerful the creator community on Snapchat has become,” said Shepherd. “The Snap Stars we’re honoring aren’t just entertaining audiences–they’re driving conversations, building businesses, and shaping culture. This show represents our long-term commitment to giving creators meaningful recognition and real opportunity as they continue to define what’s next.”
The decision to give DJ Khaled the event’s first Lifetime Achievement Award is the kind of choice that makes perfect sense. Before Instagram Stories existed, before TikTok was a global force, Khaled was the most entertaining person on Snapchat, with his captivating stories and absurd sense of humor. His most legendary series of snaps involved him narrating getting lost on a jet ski journey after coming home from Rick Ross’s house, accompanied by his usual motivational commentary.
Khaled used Snapchat the way the platform always hoped people would: as a place for raw, unscripted moments rather than polished content. The platform says the award recognizes his lasting impact as a creator, artist, and entrepreneur. Khaled’s most recent album, God Did, came out in 2022, he has leaned other aspects of entertainment. He signed a nine-figure deal with Influence Media Partners last year that includes TV and film development alongside an investment in his music catalog. He remains a figure whose career was meaningfully shaped by how he used Snapchat early on, and the platform clearly wants to remind people of that connection.
The Snappys arrive in the middle of a race among social platforms to create their own award shows. TikTok held its first U.S. awards in December at the Hollywood Palladium, handing out 14 awards in a live ceremony hosted by La La Anthony. The event had some setbacks, including LED screens that malfunctioned for part of the night, but it drew big names as presenters, including Paris Hilton and Olympic gymnast Jordan Chiles, and it furthered the use of traditional, live awards shows for digital platforms.
Instagram took a different approach. In October 2025, it launched Rings, which honors just 25 creators annually with physical gold rings designed by Grace Wales Bonner and digital gold halos around their profile pictures. Rather than a live show, Rings operates more like a juried prize, with a selection panel that included Spike Lee, Marc Jacobs, and Instagram head Adam Mosseri..
YouTube has featured its play button system for years, awarding physical plaques when channels hit subscriber milestones. But those are automatic and based on subscriber numbers. What TikTok, Instagram, and now Snapchat are doing is qualitative and curated, which makes the awards function more like marketing than pure celebration. Each show is a testimonial for why creators should invest their time on that particular platform.
Snapchat saw more than a 40 percent year-over-year increase in creators posting content during the last quarter of 2025, driven in large part by its Snap Star monetization program. The company also recently launched a Subscriptions product that lets fans pay creators directly, following a model established by YouTube and Twitch. The Snappy Awards are a showcase for those initiatives, a way to present Snapchat as a place where creative work can become a career.
As platforms become more interchangeable and creators increasingly distribute their work everywhere, these award shows serve a specific strategic function. They create platform-specific narratives. They give creators a reason to feel loyal, or at least to feel seen. And they generate the kind of coverage and conversation that keeps a platform in the mix when a creator is deciding where to post next. Snapchat is certainly setting itself apart with the Snappy Awards and establishing itself as a creator-first platform. A full list of Snappy nominees is available here.
